Ishiro Honda returns to direct what may be the most ambitious film in the series thus far. Ghidorah, the Three-Headed Monster (1964) not only marks

Ishiro Honda returns to direct what may be the most ambitious film in the series thus far. Ghidorah, the Three-Headed Monster (1964) not only marks
Godzilla and Mothra were the two most well-known and respected kaiju in the genre, and with Toho owning both characters, it was only a matter
I want to start this review off by saying I was only able to get my hands on the American version of this film and
1955’s “Godzilla Raids Again” (yes – each word is capitalized, for some reason) was the start of two major traditions that would define nearly every
Shōwa era Godzilla Challenge Preface The Japanese Godzilla films are often classified by four different “eras”: the Shōwa era (1954–1975), the Heisei era (1984–1995), the Millennium