Adam Driver is now an immediate draw for me. I’ve seen most of his filmography, and he has been some of my favorite characters in
The Irishman (2019) lets Netflix take another step towards prestige
If you want to be knowledgeable about a subject, it makes a lot of sense to study the masters. Few working filmmakers understand the craftsmanship
1917 (2019) is harrowing and emotionally surprising
With the new film 1917 (2019), Director Sam Mendes and cinematographer Roger Deakins created one immersive experience that showcases the horrors of war and the
Marriage Story (2019) is crushing, hopeful, and amazing
One does not have to get further into Marriage Story (2019) than the opening introductions of its two main characters to realize it was going
Richard Jewell (2019) is much better than the Mule but has its own issues
Clint Eastwood is a filmmaker whose work I have had very mixed opinions of, though it should be noted I have some major gaps in
The Grudge (2020) is a chaotic mess not worth anyone’s time
The first film of 2020 did not set a high bar for quality. Writer and director Nicolas Pesce’s The Grudge (2020) is a reboot of
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