The only thing one can truly appreciate in Andrea Berloff’s directorial debut, The Kitchen (2019), are the attempted strong performances of the actors, despite the

The only thing one can truly appreciate in Andrea Berloff’s directorial debut, The Kitchen (2019), are the attempted strong performances of the actors, despite the
I’m usually lukewarm on Melissa McCarthy as a comedic actress, especially in lead roles. It’s not that she doesn’t always click for me, but rather
I tend to really enjoy Noir stories. The Happytime Murders (2018) takes the Noir genre and executes a compelling enough detective story and undercuts the
Melissa McCarthy comedies don’t always work for me. However, Life of the Party (2018) was a pleasant surprise. The trailers didn’t excite me much, but