What drives us to relentlessly pursue something to the point that it becomes an obsession? This is the question at the heart of Park Chan-wook’s
What drives us to relentlessly pursue something to the point that it becomes an obsession? This is the question at the heart of Park Chan-wook’s
If you haven’t seen Aaron Moorhead and Justin Benson’s The Endless (2017) or Synchronic (2019), let me start by suggesting that you do. Their new
Few movie titles encourage their viewers to audibly speak the word “please,” after saying it out loud. Halloween Ends (2022)…please! We have seen IPs beaten
In reality, there were only two ways Lyle, Lyle, Crocodile (2022) could go; incredibly heartfelt entertainment, or so bad it’s funny. For me, it’s the
I had not seen Hellraiser (1987) until October 2021, but I was definitely familiar with Pinhead as a horror icon. The things I’d heard about
Writer and director Ana Lily Amirpour’s new film Mona Lisa and the Bloodmoon (2021) is full of unique energy and surprising performances. From the opening